Wild and wonderful film by Terrence Malick falls slowly, as a kind of prototype spaceship, is a cosmic epic in vain, a rebuke to the realism, a denial of irony and humor, a meditation on memory and murmur of horror and fear of the mysterious fate of love, and loss of loved ones.
Sean Penn has a central role, but less so than Jack, an anxious 21st century business executive who is now disabused of his life. At the time of crisis, it is reduced to an ecstasy childhood memory of the 1950s in Smalltown USA. He remembers his relationship with his father demanding sport, played by Brad Pitt and his brother, who died at 19 years: The news is brought to his distraught mother (Jessica Chastain) through an official communication - the telegraph boy push it into his hands and goes quickly - then it seems to have died in military service.
Jack realizes that time is far from healing the wounds of loss, which only makes them more painful. With the tables turned a dream from his childhood, he gave extraordinary visions of geological time and unknown corners of the universe in terms of how its loss of meaning. And yet the meaning must be found if the pain should not be unbearable. In a sense, the purpose of these gigantic vision to numb the pain of being alive and not understanding.
Brad Pitt dominated the majority of films like Mr. O'Brien, who appears on the cover of being a pious family man with a button-down shirt and a crewcut, abrupt, but honestly, in harmony with his sweet, beautiful and deeply religious woman . Chastain has a voiceover at the beginning asks his son to prefer the grace of God in the wonderful nature, like a true path. But O'Brien is much more complex than first appears: he is angry with his boys, he respects the seriousness of the traditional faith faithful, but seek wealth and worldliness, file a patent in the aviation industry and diversify resources of the family in the process.
He challenges his students to beat him, squeezing them, and will not hesitate to hit their insubordination and discourteous. He plays the organ in church and is disappointed with the musician, his frustration and anger simmer every pore. The boys feel the fear and love, Malick shows how they are placed in the same emotion. They are encouraged to follow her secretly feel the violence and lack of respect for the goodness of their mother, but their fascination with alienation is expressed in a surprising scene, in which the intrusion of parents bedroom.
And there is confusion and bizarre passages of symphonic imagination non-narrative, prehistoric jungles, arid deserts, galaxies and spiral forms - landscapes Kubrickian request. Strangest of all is clogged river, where a prostrate dinosaurs are injured, another dinosaur comes along, the plants of his big foot to the other's neck, then moving on by accident. Is this the only message in the universe the very survival? But then, how we want something other than survival? What we want to survive? And Malick seems crazy to force a lot to make his film closer to the ultimate question: Why is something there for everyone?
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